![]() The anger with his father resulted in a break in their relationship when Bergman started his directing career.īergman was known for his angry outbursts and perfectionism in his work and recognised that his anger probably had roots in his relationship with his father, with whom he shared a number of traits. He repeatedly described himself as a complicated and contradictory child, making special reference both to his ambivalent relationship with his mother, whom he adored but feared was trying to abandon him, and his resentment of his harsh, humiliating, narcissistic (Bergman's own term) father ( Reference Macnab and TaurisMacnab 2009). In his autobiography Laterna Magica, published in 1987, Bergman states that his interest in films and cinema began early, at the age of 9, when he traded a set of tin soldiers with his brother for a magic lantern, a possession that altered the course of his life ( Reference BergmanBergman 1988 reprint).Ī film that he saw about death, at the age of 15, reinforced his attraction to the cinema as a means of exploring important themes and he certainly focused on the subject of death throughout his film-making career. As a child, Bergman was locked up in dark closets or beaten as a punishment by his father. His father, according to Bergman and others, was a conservative parish minister with strict parenting habits, who maintained a capable, confident exterior to his parishioners but was often depressed and moody privately. Bergman grew up surrounded by religious imagery and discussion. His mother was a nurse and his father a Lutheran minister. ![]() Ernest Ingmar Bergman was born in Uppsala, Sweden, on 14 July 1918.
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